Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Andrea del Verrocchio 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
72288 Baptism of Christ Andrea del Verrocchio Baptism of Christ from 1470(1470) until 1475(1475) Oil and tempera on panel cjr
73914 Baptism of Christ Andrea del Verrocchio Baptism of Christ Date from 1470(1470) until 1475(1475) Medium Oil and tempera on panel Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in). cyf
75117 Baptism of Christ Andrea del Verrocchio Baptism of Christ Date ca. 1475(1475) Medium Oil on panel Dimensions 177 X 151 cm (69.68 X 59.45 in) cyf
85523 Baptism of Christ Andrea del Verrocchio Baptism of Christ VERROCCHIO, Andrea del The Baptism of Christ Oil on wood, 177 x 151 cm cyf
53715 Christ-s baptism Andrea del Verrocchio Christ-s baptism mk234 about 1470 180x152cm
41224 Equestrian Statue of Bartolomeo Colleoni Andrea del Verrocchio Equestrian Statue of Bartolomeo Colleoni mk157 1481-94
38508 Halfte second women head Andrea del Verrocchio Halfte second women head mk137 the 15. century metal pencil feather and brush Weibhohungen 26.7x22.4cm muse you Louvre, Paris
51014 Head of a Girl Andrea del Verrocchio Head of a Girl Drawing British Museum, London
33235 Madonna di Piazza Andrea del Verrocchio Madonna di Piazza mk83 after 1475 Oil on wood 189x191cm
61448 Madonna with Child, Andrea del Verrocchio Madonna with Child, Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
61446 Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia Andrea del Verrocchio Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia Madonna with Sts John the Baptist and Donatus (1475-83), Cathedral of Pistoia
86814 Mary with the Child Andrea del Verrocchio Mary with the Child Date 15th cent. Medium Oil on poplar Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in). cjr
38495 Reiterportrat of Niccolo there Tolentino Andrea del Verrocchio Reiterportrat of Niccolo there Tolentino mk137 1456 Ubertragenes frescos 833x512cm II Duomo, Florence
33396 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ mk86 c.1475 Tempera on wood 177x151cm Florence, Galleria degli Uffizi.
40228 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ mk156 c.1470 Oil on panel 177x151cm
73430 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ ca. 1475(1475) Oil on panel 177 X 151 cm (69.68 X 59.45 in) cjr
81516 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr
81520 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr
85525 The Baptism of Christ Andrea del Verrocchio The Baptism of Christ Oil on wood, 177 x 151 cm cyf
61447 The Baptism of Christ, Andrea del Verrocchio The Baptism of Christ, The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
51772 Tobias and the Angel Andrea del Verrocchio Tobias and the Angel nn09 c.1470-800 33x26in
75306 Tobias und der Engel Andrea del Verrocchio Tobias und der Engel 1470 - 1475 Oil on panel 84 X 66 cm cjr
77164 Tobias und der Engel Andrea del Verrocchio Tobias und der Engel Date 1470 - 1475 Medium Oil on panel Dimensions Deutsch: 84 ?? 66 cm cyf
67640 Verrocchio Andrea del Verrocchio Verrocchio Year Deutsch: um 1475 English: c. 1475 Technique Oil on panel Dimensions Deutsch: 177 X 151 cm

Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
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